STURGILL SIMPSON LIVE ON KEXP!

Sturgill Simpson performing live in the KEXP studio. 

Songs:
I Never Go Around Mirrors
Poor Rambler
Railroad of Sin
Listening to the Rain

Host: Don Slack

BRAND NEW: ALEXANDRINA - FLORI DE SPIN!

Brand new and good as always. Enjoy, have a good night!

ON THE AIR: JOHN FRUSCIANTE 'CURTAINS'!

Curtains is the ninth solo album by John Frusciante, released on February 1, 2005 on Record Collection. The album is primarily an acoustic album, in contrast to his previous work, recorded at his Hollywood Hills home. According to Frusciante, the album was recorded in his living room: "It was just me sitting on a pillow, on my living room floor, with my back leaning against the couch." The album features contributions from Autolux drummer Carla Azar, upright bassist Ken Wild, and The Mars Volta guitarist Omar Rodríguez-López, with Frusciante noting, "Carla from the band Autolux plays drums. I loved having a feminine energy. My friend Omar Rodriguez-Lopez of the Mars Volta played some guitar. He and I do these solos together where we're using the same amp at the same time." A video made in Frusciante's house was released for "The Past Recedes" (click here to watch). *The solo in the recording is played on his 12 string acoustic in the authentic version. However in the music video the filmmakers did not want him to change guitars in the middle.

The vinyl edition of the record saw a repressing from Record Collection on December 11, 2012. These reissued records are 180 gram and come with a download of choice between MP3 and WAV formats of the album.

All songs written by John Frusciante.

1. "The Past Recedes" – 3:53
2. "Lever Pulled" – 2:22
3. "Anne" – 3:35
4. "The Real" – 3:06
5. "A Name" – 2:03
6. "Control" – 4:29
7. "Your Warning" – 3:33
8. "Hope" – 1:56
9. "Ascension" – 2:52
10. "Time Tonight" – 3:12
11. "Leap Your Bar" – 2:36

In my opinion, this is the greatest album ever. Have a good night and enjoy - headphones on!

DESERT BLUES, UN VOYAGE MUSICAL AU COEUR DU MALI!

In 2007 Michel Jaffrennou produced the documentary ‘Desert Blues – Un Voyage Musical au Coeur du Mali‘. Due to the current developments in Northern Mali this movie could not find more relevance today. 

The movie takes us on a trip from Bamako to Tombouctou and presents us the culture and music of the Bambara, Songhai and Touareg people. It is a musical invitation to voyage deep into the Sahara and the Niger River, a voyage across sand and water. Symbiotically, in tune with the world of the musicians and their music, it is about the creation of sound-images, of song-images that tell the story of Mali, the Mali of today, land of enchantment. The unifying theme is the stories related by the poets and griot musicians in their songs: stories of love, of struggles and of heroes...in which the natural and supernatural co-exist as a part of everyday life. It is a musical tale, combining the real and the imaginary, weaving a spell of images and stories that enchants viewers and carry them off into the heart of Malian Africa, into its landscapes, its fantasies, as well as its everyday concerns. A film made up of music and songs, without any additional words, but with a multicultural perspective that should appeal to viewers all over the world. It features the great Malian artists Habib Koité, Afel Bocoum and the group Tartit and reminds us once more about the imaginably rich musical tradition that Mali has.  

Below you can watch the documentary in French. Please click here to watch it with English subtitle.

And check jusilove.com for more music from Africa and the African diaspora!

JESSIE WARE - WILDEST MOMENTS!

  Have a nice weekend!

ON THE AIR: FLAMENCO - 'EL SOL, LA SAL, EL SON'!

Flamenco is (first of all an art) a form of Spanish folk music and dance from the region of Andalusia in southern Spain. It includes cante (singing), toque (guitar playing), baile (dance) and palmas (handclaps). First mentioned in literature in 1774, the genre grew out of Andalusian and Romani music and dance styles.Flamenco is often associated with the Romani people of Spain (Gitanos) and a number of famous flamenco artists are of this ethnicity. While flamenco originally crystalized among gypsies in the 18th century, some authors believe that modern flamenco mostly emerged out of late nineteenth-century romanticism. 

In recent years flamenco has become popular all over the world and is taught in many countries: in Japan there are more academies than there are in Spain. On November 16, 2010 UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.

'''EL SOL, LA SAL, EL SON' is a flamenco program of Canal Sur. For this first program some great artists will be there: Miguel Poveda, Dorantes, El Lebrijano, Carmen Linares, Arcángel, Diego Carrasco, Pastora Galván, Pansequito, El Cigala and Rocío Molina among others. A sincere bet for the flamenco, one of the biggest cultures of the world. A commitment of support to the candidacy of the autonomous government of Andalusia in order to give the flamenco the recognition it deserves, a part of the World Cultural Heritage of the UNESCO. The flamenco is and should be a part of the Cultlural Heritage because it contributes to art, to culture and expresses the soul feelings of the humanity. It's a firm intention to bring flamenco to everybody, but without resigning about the quality, the purity and the depth.A program presented by Francisco Rivera, offering professional and expert contents. Universal Andalusian and Spanish artists will be present to talk about flamenco and giving support to its cancidacy.The Teatro Quintero is the prefect place for this kind of program.'' - flamencoexport.com

Here are the flamenco masters you'll see in the show (in a random order): Rocio Molina, la Tremedita, Graviela Ortega, Miguel Poveda, Diego Carrasco, familia Paquera de Jerez, Antonio el Pipa, Tia Juana la del Pipa, Moraito Chico, luis de la Tota , Carrasco Family, David Palomar, el Pele, el Lin, el Nani, el Pollo, Maria Toledo, India Martinez, Rancapino, Capullo de Jerez, Farruco, Farruquito, Pitingo, Jose de la Merce, Arcangel. la Lole, Argentina,Pepe Roca, Pantoja, Carmen Ledesma, Pastora Galvan, Juaquin Cortes,el Lebrijano, Alba Molina, Nabajita Platea, el Cigala, Rocio Marquez, la Macanita, Cesar Calvajar, Diego Pantoja, Pansequito, Canelita, Remedios Amaya, Diana Navarro, Sandra Carrrasco, Guillermo Cano, Agujetas, Niña Pastori, la Negra, chirigota los emteaos, Juan Diaz, Carlos Cano, Dolores Pradera, Fernanda de Utrera, Camaron, Paco Toronjo, Rocio Jurado, Enrique Morente, los Maya, Antonio Ortiz, Guaquin Grilo, Junior, Banda las Cigarreras.,Perrate,RocioMarquez,Falete,Capul­lo, la Negra,Lole, Alba Molina, Tortas,Pele,Remedios Amaya,Poveda,C.Linares, Pansequito,Diana Navarro,Sandra Carrasco, Guillermo Cano,Argentina,Niña Pastori,Agujetas,Grabiela Ortega, Paco Gandia, Cesar Cadaval,Diego Pantoja Chirigota los Enteraos, Beni de Cadiz,Chiquito, Carlos Cano, Mª Dolores Pradera,Maria Vidal,Fernanda de Utrera,Camaron,Paco Toronjo,Rocio Jurado,Erique Morente,Farruquito and more

Below you'll find a few of my very personal favourite moments, and at the bottom the full show in 2 parts. Enjoy and have a good night! ¡Olé!









Full Show

SINATRA FRIDAYS!

ON THE AIR: SUB-SAHARAN BLUES, TINARIWEN LIVE AT WOMAD FESTIVAL!

Tinariwen (Tamasheq: tinariwén "deserts") is a band of Tuareg musicians from the Sahara Desert region of northern Mali. The band was formed in 1979 in Tamanrasset, Algeria, but returned to Mali after a cease-fire in the 1990s. The group first started to gain a following outside the Sahara region in 2001, with the release of The Radio Tisdas Sessions, and the performances at Festival au Désert in Mali and at the Roskilde festival in Denmark. Their popularity rose internationally with the release of the critically acclaimed Aman Iman in 2007. Tinariwen's biography has variously been described as "the most compelling of any band" (Songlines), "the most rock'n'roll of them all" (The Irish Times), "hard-bitten" (Slate.com), and "dramatic" (The Independent).

The Tinariwen sound is primarily guitar-driven in the style known as assouf among the Tuareg people. The Tinariwen guitar style has its roots in West African music, specifically that from the "great bend" region along the Niger River, between Timbuktu and Gao. The core elements of Tinariwen's music are traditional Tuareg melodies and rhythms including those played on the shepherd's flute, which is primarily a man's instrument; and those played on a one-string fiddle known as an imzad which is played by women. The primary percussion instrument is the tindé drum which is played by women at festive occasions. Another important traditional influence is the lute known as the teherdent, which is played by the griots of the Gao and Timbuktu regions. In the late 1970s, when the founding members of Tinariwen started playing acoustic guitars, they played a traditional repertoire adapted to the western guitar.

While the Tinariwen style is possibly a distant relative of blues music, via West African music, members of Tinariwen claim to have never heard actual American blues music until they began to travel internationally in 2001.

In August 2012, an Ansar Dine spokesman announced: "We do not want Satan's music. In its place will be Quranic verses. Sharia demands this. What God commands must be done." After large parts of Northern Mali were captured by Ansar Dine, Abdallah Ag Lamida was arrested by the Islamist authority in early January 2013. The other band members managed to evade capture, but Ag Lamida was caught while trying to save his guitars. However, the band soon reported that he was "safe and free".

The band released their fifth album Tassili on August 30, 2011. The album later won the Award for Best World Music Album at the 54th Grammy Awards.

Discography:

• The Radio Tisdas Sessions (2001)
• Amassakoul (2004)
• The Soul Rebel of African Desert (2006) CD/DVD (Amassakoul og Jérémie Reichenbachs film, The Guitars of the Touareg Rebellion), Emma Productions
• Aman Iman (2007)
• Imidiwan (2009)
• Tassili (2011) #68 UK

Music doesn't get better than this! Enjoy!

BADASS: JACK IS DEAD & SON ORCHESTRE IRANIEN!

Live at Festival de la Bâtie, Casino-Théâtre, Genève, 2011



Bonus

ON THE AIR: JOHNNY CASH LIVE AT FOLSOM PRISON!

Cash Onstage at Folsom Prison

.
Again, I hope Johnny Cash needs no introduction!

At Folsom Prison is a live album and 27th overall album by Johnny Cash, released on Columbia Records in May 1968. Since his 1955 song "Folsom Prison Blues", Cash had been interested in performing at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash's material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed with June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968. The resulting album consisted of fifteen tracks from the first show and two tracks from the second.

Despite little initial investment by Columbia, the album was a hit in the United States, reaching number one on the country charts and the top 15 of the national album chart. The lead single from the album, a live version of "Folsom Prison Blues", was a top 40 hit, Cash's first since 1964's "Understand Your Man". At Folsom Prison received good reviews upon its release and the ensuing popularity revitalized Cash's career, leading to the release of a second prison album, At San Quentin (click here for video). The album was re-released with additional tracks in 1999 and as a three-disc set in 2008. It was certified three times Platinum on March 27, 2003 by the Recording Industry Association of America for US sales exceeding three million.

Johnny Cash first took interest in Folsom State Prison while serving in the United States Air Force Security Service. In 1953, his unit watched Crane Wilbur's film Inside the Walls of Folsom Prison. The movie inspired Cash to write a song that reflected his perception of prison life. The result was "Folsom Prison Blues", Cash's second single on Sun Records. After its release, the song became popular among inmates, who would sometimes write to Cash, requesting him to perform at their prisons. Cash's first prison performance was at Huntsville State Prison in 1957. Satisfied by the favorable reception of the concert, he performed at several other prisons in the years leading up to the Folsom performance in 1968.

In 2003, the album was ranked number 88 on Rolling Stone's list of the 500 greatest albums of all time. Blender listed the album as the 63rd greatest American album of all time and as one of the "500 CDs You Must Own". In 2006, Time listed it among the 100 greatest albums of all time

1 - Folsom Prison Blues -- 0:00
2 - Busted -- 1:25
3 - Dark as a Dungeon -- 3:04
4 - I Still Miss Someone -- 7:10
5 - Cocaine Blues -- 8:48
6 - 25 Minutes to Go -- 11:50
7 - Orange Blossom Special -- 15:21
8 - The Long Black Veil -- 18:21
9 - Send a Picture of Mother -- 22:19
10 - The Wall -- 24:30
11 - Dirty Old Egg-Suckin' Dog -- 26:25
12 - Flushed From the Bathroom of Your Heart -- 27:42
13 - Joe Bean -- 30:08
14 - Jackson (duo con June Carter) -- 32:30
15 - Give My Love to Rose -- 35:32
16 - I Got Stripes (duo con June Carter) -- 38:14
17 - The Legend of John Henry's Hammer -- 40:23
18 - Green, Green Grass of Home -- 47:17
19 - Greystone Chapel -- 49:48

Full Album


Clip from Walk the line


Documentary 


Walk the line (trailer)